INSOMNIAC CITY version 1: 28" minuets version 2: 30" minuets version 3: 40" minutes [also as 3 channel installation] version 4: 76" minuets A man is shot in an anonymous car park in Tel Aviv, but doesnt remember how he got there nor why it happened to him. Urban spaces turned memory, blend like streams of a dream. The city keeps transforming as uncertain memories. Insomniac City combines digital interventions in the documentary, drifting between the known reality and a hallucinatory one. The film is based on an interlaced mix of urban contemporary snapshots and fiction, representing the known Tel Aviv, and an unstable and radical shift of the city's space and time. Through the eyes of the figure at play, the movie generates a tension between reality and illusion and processes an alienation of the city. A city shot from a birds-eye view to an evil sub current of street level daily chaos. It explores through video and sound, a hidden psych in the urban texture and offers a wide gaze on a city in transit and shift while weakening the boundaries between reality and illusion, present, dream and future, radical architecture both physical and meta physical. Through an insomniac like stream, an immersive gaze drifts from external perception to internal suspension, rendering what we see and what we think we see into a twilight zone. Insomniac City has been initially commissioned for the Venice Biennial of Architecture in 2004. It is a project that from its inauguration has set out ...
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